Wednesday, May 1, 2024

'Old California' in an Updated 1907 Arts & Crafts-Style House in Los Angeles

arts and crafts house

One strategy might be to look at how subsequent owners have ruined Arts and Crafts buildings and try your best to do the opposite (via Craftsman Perspective). Resist the urge to enclose your porch for a more cozy sunroom, or at least make the sunroom as well-integrated with the outdoors as you can, perhaps by giving it a transitional porch or deck of its own. The cottagecore movement has helped bolster their popularity as well, making their smaller, compact rooms and square footage a plus, as the popularity of mid-century modern design began to wane. If you’re looking for a home that feels quaint, traditional, and cozy, look no further than an Arts and Crafts home.

Interior

Julia Morgan, famous as the designer of William Randolph Hearst’s San Simeon, carried out many other Arts & Crafts commissions in California. Edward Bok, editor of The Ladies’ Home Journal, the era’s largest and most influential women’s magazine, quickly picked up the Arts & Crafts banner. In 1895, the Journal initiated a long-running series of Arts & Crafts-influenced house designs by noted architects, including William L. Price, E. G. W. Dietrich, and Frank Lloyd Wright. Charmingly restrained room layouts by luminaries such as Will Bradley conveyed Arts & Crafts values to millions of readers.

American Craftsman

You'll also find fine handiwork features throughout the home, such as hammered metalwork and the use of authentic copper and bronze. Designers and craftsmen took pride in their work, and so an Arts and Crafts home will often feel well-made and thoughtful. When looking at an Arts and Crafts home, you will find a few key elements that transcend across styles. Grochowski notes that the premium for this type of artistry is “roughly 20 to 30% more than a typical mass-produced home of another style.” This is in part because the master craftspeople are rare. His work has appeared in GQ, Conde Nast Traveler, Playboy, Vice, and Architectural Digest, where he also worked as the local news editor.

Arts & Crafts Sub-types

The house's design reflected the Gambles' love of nature as flowers and trees were brought to the interior—creating pictures in wood, metal, art glass, and semi-precious stone. Dozens of architects throughout the United States designed Arts & Crafts houses, drawing on architectural styles traditionally found in the region. In the Northeast and Mid-Atlantic, English styles were generally emphasized for country homes and town houses. Prominent eastern architects included William L. Price, Aymar Embury, Wilson Eyre, and Joy Wheeler Dow.

arts and crafts house

Handmade ceramics—including tiles for both indoor and outdoor use—became a thriving Arts & Crafts industry throughout the country. Rookwood, Pewabic, Batchelder, Van Briggle, and a host of other potteries flourished. Potteries and other Arts & Crafts industries, in fact, provided the first entry for large numbers of women into the world of design. In Kansas City, Missouri, Mineral Hall (built in 1913 by Louis Curtiss), with its ornamented, arched entrance, is probably the best American example of Art Nouveau architectural features, rarely seen in this country. Americans also sought a simpler but aesthetically richer life, and they were enthusiastic about their own diverse architectural heritage.

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These detail-forward homes date back to the 19th century, and even today still resonate with the current cottagecore movement, thanks to their angular exteriors and segmented rooms within. The landmark mansion was built in 1902 by architect Joseph J. Blick for Gertrude Potter Daniels, who paid $15,000 for the shingle-style home. In 1905, Susanna Bransford Emery-Holmes—known as the Silver Queen thanks to the source of her late husband’s fortune—purchased the home and soon made it her own. In 1922, she spent $37,000 to have the Postle Company of Los Angeles, who also built the Pasadena Playhouse, remodel it into an English Tudor Revival–style mansion, giving it the regal exterior that remains today.

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As such, The Addison residence is a rare and shining display of the foresight and craftsmanship that went into the development of the area. The exterior of the house is built of river rock and originally contained a stone tower, but that was later demolished. The interior contains some of Lummis's collection of artifacts, as well as copies of many of his books. Lummis purchased the three-acre lot (1.2 ha) sometime between 1895 and 1897 and named it "El Alisal" in tribute to the thicket of alder and sycamore trees that grew in the arroyo.

As you make your way to the private main deck, you are enveloped in a canopy of greenery, creating the perfect space for entertaining or relaxing. In 1965, it became the headquarters for the Historical Society of Southern California and the house was opened to the public. By 2014, the city was concerned that visiting hours were too limited and that the historical group was not truly focused on a partnership with the Parks and Recreation Department. The Historical Society was concerned about the city's expectations that a tenant would invest in the house without committing to a long-term lease.[3] The Historical Society of Southern California left the Lummis House in January 2015.

“The style is abundantly unique with exposed beams, stained wood trim and doors, long overhanging eaves, low sloped roofs, and often a combination of painted wood and stucco exteriors,” Grochowski says. Built-in seating and nooks, abundant paneling, and plenty of other woodwork detail cement the Craftsman home design. Arts and Crafts style homes date back to the mid-19th century, as a response to the perceived decline in the standard of homes in Britain during this era. Handcrafted interiors with built-ins, reading nooks, Batchelder tile fireplaces and open informal floor plans can be found inside. Craftsman homes for sale can be found in many Los Angeles neighborhoods including Hancock Park, Hollywood Hills, Silver Lake, Echo Park, Pasadena and more. If you appreciate natural wood floors, custom built-ins, original stained-glass windows, and daydream about morning coffee on a big front porch, a Craftsman-style home might be the perfect fit.

Stickley’s enthusiasm for the bungalow helped the style spread rapidly during the first quarter of the century—so much so that the words “Craftsman” and “bungalow” are now inextricably linked in the old-house lexicon. Stickley was no purist, but he urged the use of handmade decorations, from pottery to silver to textiles—even made by the homeowners themselves. The 1901 Davenport House in River Forest, Illinois, was designed during Frank Lloyd Wright’s brief, little-known partnership with Webster Tomlinson, and resembles several other early Wright houses.

In 1966, the Gamble family turned the house over to the city of Pasadena in a joint agreement with the University of Southern California (USC) School of Architecture. The Gamble House was declared a National Historic Landmark in 1977.[3][6] Today, two 5th-year USC architecture students live in the house full-time; the selected students change annually. As a movement, Arts & Crafts didn’t survive World War I. Postwar houses most often wore eclectic European revival styles—from Tudor to Spanish to Mediterranean. Nonetheless, by banishing Victorian decorative excess, the Arts & Crafts pushed American architecture decisively toward Modernism and left a rich legacy shared by thousands of old-house owners today. In Europe, the Arts & Crafts movement flourished in several distinctively regional subsets, particularly Austria’s Secession Movement, Germany’s Jugendstil, and France’s Art Nouveau.

Inlay in the custom furniture designed by the architects coordinates with the inlay in the tiled fireplace surrounds, and the expressed, interlocking joinery on the main staircase was left exposed. California was an early hotbed of Arts & Crafts design, led by Pasadena’s Charles and Henry Greene. The Greene’s Gamble House, often called the “ultimate bungalow,” was an Arts & Crafts showplace.

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